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St. Paul & The Broken Bones - Angels In Science Fiction

 (Limited Edition Clear Vinyl)


Label:

ATO Records

Genre:

R&B/Soul

Product No.:
AATO 59611
UPC: 880882459611
Availability:
In Stock
Category:

Vinyl Record



$23.98

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St. Paul & The Broken Bones — Angels In Science Fiction

Limited edition clear vinyl LP

When Paul Janeway learned he was going to be a father, he was struck by "divine inspiration." Following the tradition of greats like Aristotle, William James and John Steinbeck, who wrote letters to their future sons, the singer decided to scribe his own thoughts — of joy, of fear, of confusion — as messages to his then-unborn daughter.

Those letters ultimately became Angels In Science Fiction, the stunning fifth LP from his band, Alabama genre-benders St. Paul and The Broken Bones.

"I knew what I wanted to say," he says of the material. "I like to be a bit more coy at times, but I wanted these lyrics to be more direct. This is a record I would have written whether I did this for a living or not. I don't know if those records come along all the time."

Everywhere Janeway turned, there were lessons to impart — even unlikely ones. The album's central metaphor could be a twisted-up, "weird-looking" tree — one that Janeway often sees while walking with his family to a park in his native Birmingham.

"The branches run through the power lines, so the tree has grown in this weird fashion," says the magnetic frontman, detailing the image that opens the slowly strutting song "Oporto-Madrid Blvd." "That's the only way it's known how to grow. I thought about this idea of nurture over nature — this tree sits there, and the city's not gonna cut it down. There's a really interesting idea there about staying planted where you're at, which I don't think is necessarily a good thing."

The eight-piece Broken Bones — formed in 2012 by Janeway and bassist Jesse Phillips — follow that wisdom on two levels. While some members actively maintain their Birmingham roots, others have found new places to call home (most in Alabama, a few scattered about the South, one in Montana). And on the creative front, Angels In Science Fiction stretches their limbs further out from their early southern-soul style, building on the shadowy psychedelia and intricate, experimental R&B of recent LPs like 2022's The Alien Coast.

Granted, it would be safer — and potentially more lucrative — to stick with a formula, to lazily milk the soul sound of the band's earliest work, including their 2014 debut, Half the City. No one would blame them, that original vibe became a calling card, helping spawn a slew of big-deal festival dates (Lollapalooza, Bonnaroo, Glastonbury) and major press (The New York Times, Rolling Stone, SPIN, NPR Tiny Desk), leading to shared stages with the world's biggest artists (Elton John, The Rolling Stones, Lizzo), and launching an impressive run of headlining tours behind a "potent live show that knocks audiences on their ass" (Esquire). (That's all before mentioning the robust album sales: around 500,000 total throughout their decade-plus career.)

But Janeway was never interested in formulas. This latest creative risk, dates back to February 2020, after Janeway learned his wife was pregnant with their daughter, Marigold. Not the greatest timing for a burst of inspiration: The Broken Bones were on the home stretch of recording The Alien Coast, and the pandemic was weeks away from sending the world into lockdown.

After realizing the pandemic was going to offer more downtime than expected, Janeway texted Phillips his overall vision for Angels In Science Fiction. Then the floodgates opened: They wrote all the songs within a month or two and started recording, hoping to capitalize on the singer's sense of urgency: "We did everything we could to get it down because Marigold was born September 29," Janeway says of the sessions, produced by Matt Ross-Spang (Jason Isbell, Margo Price, John Prine and Elvis Presley) at Sam Phillips Recording Studio in Memphis. "At the time, I knew that when that happened, the moment would kinda be lost."

Instead, these exacting yet evocative songs — from the harmony-stacked slow grind of "City Federal Building" to the cinematic "Sea Star," inspired in part by a pastor's sermon from his youth — harness the unique balance of hope and anxiety he was experiencing as a dad-to-be.

 



Chelsea
City Federal Building
Magnolia Trees
Sea Star
Heat Lightning
Angels in Science Fiction
Wolf in Rabbit Clothes
South Dakota
Oporto-Madrid Blvd
Lonely Love Song
Easter Bunny
Marigold

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