Joni Mitchell - Court and Spark
(Numbered Limited Edition SACD)
Label: |
Mobile Fidelity |
Genre: |
Pop/Rock |
Product No.: |
CMOB 2273 SA
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Availability: |
Pre Order
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Category: |
Hybrid Stereo SACD |
To Be Announced |
Also available on:
• Preowned Vinyl Record
1980 pressing half-speed KC Collection
• 180 Gram Vinyl Record
• Preowned Vinyl Record
1980 half-speed mastered pressing KC Collection
• Preowned Vinyl Record
Canadian pressing Canada Collection
• 180 Gram Vinyl Record
2022 Remaster
• Vinyl Record
Limited Edition 2022 Remaster on Bottle-Green Clear Vinyl
• Vinyl Box Sets
Numbered Limited Edition Ultradisc One-Step 180g 45RPM SuperVinyl 2LP Box Set
Joni Mitchell — Court and Spark
Numbered edition Hybrid SACD
Rolling Stone's 500 Greatest Albums of All Time ranked 110/500!
Most commercially successful album of Joni Mitchell's trailblazing career!
Court and Spark, the most commercially successful album of Joni Mitchell's trailblazing career, arrived after a year in which she took some time to breathe and kept a low profile. The pause led to more breakthroughs for the singer-songwriter. Marking Mitchell's increasing drift toward jazz (and affinity for Miles Davis and John Coltrane), Court and Spark garnered four Grammy nominations, earned the Best Album of the Year vote in the prestigious Pazz & Jop poll, and ranks No. 110 on Rolling Stone's list of the 500 Greatest Albums of All Time.
Sourced from the original analog master tapes and housed in mini-LP-style gatefold packaging, Mobile Fidelity's numbered-edition Hybrid SACD presents the 1974 classic with definitive detail, tonality, and directness. Marking the first time the revered LP has received audiophile-quality treatment, it's one of six iconic 1970s Mitchell records Mobile Fidelity is reissuing on vinyl and SACD sets.
Benefitting from a virtually nonexistent noise floor, dead-quiet surfaces, and superior groove definition, this collectible edition reproduces without compromise the textures, details, and breathtaking craftsmanship that help make Court and Spark into what many fans believe is the Canadian native's finest hour. Notes bloom and decay as they do amid an acoustic live environment. Soundstages extend far and deep, with black backgrounds and balanced tones adding to the uncanny realism.
The elevated presence and openness put in transparent view Mitchell's incisive words and unique phrasing, as well as the contributions of her prized support musicians — including Tom Scott and the L.A. Express as well as guest turns by the likes of David Crosby, Graham Nash, Jose Feliciano, and Robbie Robertson. Mitchell, experimenting with the melodic parameters of guitar and piano, is rightly found at the center of it all. The jazz-rock rhythms of drummer John Guerin, slippery guitar lines of Larry Carlton, vibrant horns and reeds laid down by Scott — crucial to the songs' shape-shifting arrangements — can now also be heard with fresh ears.
Pitching deceptively light compositions against underlying tensions, Court and Spark witnesses the singer-songwriter finding her footing with a group of top-shelf musicians who seemingly understand her visions as well as expanding her lyrical palette and venturing further into territory no artist had dared explore. Mitchell's accessibly complex structures, beat-propelled rhythms, and spirited interplay with Scott & Co. both give the music a different identity than her prior efforts and point in the directions she soon headed.
Lyrically, Court and Spark matches the wit, integrity, originality, and intellect of anything in Mitchell's oeuvre — no small feat. Offsetting positives with negatives, and considering circumstances from multiple angles, Mitchell explores issues connected to love and freedom, certainty and confusion, and trust and fear with unfettered boldness and introspective empathy. She teeters between surrender and retreat, and spends a majority of the record sussing out the complications and sacrifices involved with such actions.
Mitchell addresses the transactional nature of desire (the intimate title track, the upbeat "Raised on Robbery," complete with rock ‘n' roll pep from Robertson and zesty sax from Scott); anticipation and disappointment of romance ("Car on a Hill," ""Down to You); fame and celebrity ("A Free Man in Paris," "People's Parties"); and sanity (the dark and stormy "Trouble Child," a satirical cover of Annie Ross' "Twisted"). Throughout, she sings with an emotionally penetrating beauty and devastating honesty that teaches about ourselves.
Or, as Mitchell relays on "People's Parties": "Laughing and crying/You know it's the same release."
1. Court And Spark | 2. Help Me | 3. Free Man in Paris | 4. People's Parties | 5. Same Situation | 6. Car on a Hill | 7. Down to You | 8. Just Like This Train | 9. Raised on Robbery | 10. Trouble Child | 11. Twisted |
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