Charles Mingus - Blues & Roots

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Hybrid Stereo SACD

Mastered by Kevin Gray at Cohearent Audio from the original analog tape direct to DSD!

Mingus taps blues and roots sources for a joyous swinging outing!

"How to follow 1959's incredible Mingus Ah Um, with its nods to Mingus' background and influences? Part of the on-going Atlantic Records 75 Anniversary series, this wonderful title from 1960 might be regarded as a sequel as it deftly addresses the declaration of its title — both blues and roots — even though it was actually recorded before Ah Um. But the blues element dominates slightly, so those who lean more toward blues than jazz will revel in the genre blending of 'Cryin' Blues' and especially Mingus' ode to Jelly Roll Morton, 'My Jelly Roll Soul.' Superbly mastered by Kevin Gray, this is as revealing of a system's bass reproduction as one might desire." — Sound Quality = 90% — Ken Kessler, HiFi News, October 2024

AllMusic marks Charles Mingus' Blues & Roots as a rejoinder to the critical carping that the virtuoso bass player and accomplished jazz pianist and bandleader and his evocative music "somehow didn't swing enough." For this album Mingus turned to the earthiest and earliest sources of black musical expression — blues, gospel, and old-time New Orleans jazz. The resulting album ranks arguably as Mingus' most joyously swinging outing.

Recorded in 1959 and released in 1960, Blues & Roots' birth was explained by Mingus in the album's liner notes: "This record is unusual-it presents only one part of my musical world, the blues. A year ago, Nesuhi Ertegün suggested that I record an entire blues album in the style of 'Haitian Fight Song' (in Atlantic LP 1260), because some people, particularly critics, were saying I didn't swing enough. He wanted to give them a barrage of soul music: churchy, blues, swinging, earthy. I thought it over. I was born swinging and clapped my hands in church as a little boy, but I've grown up and I like to do things other than just swing. But blues can do more than just swing. So I agreed."

Anyone who had heard "Haitian Fight Song" shouldn't have been surprised that such an album was well within Mingus' range. Mingus boosts the complexity of the music by assembling a nine-piece outfit and arranging multiple lines to be played simultaneously — somewhat akin to the Dixieland ensembles of old, but with an acutely modern flavor.

That modern flavor is reinforced and enhanced by the lush Analogue Productions reissue treatment that gives this new version more depth, richer sonic execution and acute audio clarity, particularly in the higher frequencies. Expert mastering from the original master tape by Kevin Gray at Cohearent Audio direct to DSD makes this Hybrid Stereo SACD sound incredible.

There's no question of Mingus' firm grounding in the basics on Blues & Roots, writes AllMusic, nor of his deeply felt affinity with them. Whether the music is explicitly gospel-based — like the groundbreaking classic "Wednesday Night Prayer Meeting" — or not, the whole album is performed with a churchy fervor that rips through both the exuberant swingers and the aching, mournful slow blues. Still, it's the blues that most prominently inform the feeling of the album, aside from the aforementioned "Wednesday Night Prayer Meeting" and the Jelly Roll Morton tribute "My Jelly Roll Soul."

1. Wednesday Night Prayer Meeting

2. Cryin' Blues

3. Moanin'

4. Tensions

5. My Jelly Roll Soul

6. E's Flat Ah's Flat Too

Customer Reviews (5.00 Stars) 3 person(s) rated this product.

Excellent posted on 10/30/2023 5 Stars Reviewer: Brian This is a very good production. Everything is so clean and detailed. Mingus' bass appears on the left, with the piano and sometimes a brass instrument. The other brass instruments come out of the right speaker, as well as the drums. Mingus' bass is hyper-detailed. You can hear and feel every pluck. The brass instruments seem to occur right at the speaker grills - so very detailed and right-there-in-your-face. The drums appear a little pushed back in the mix. The piano is typcial of a Van Gelder recording, although I do not know if Rudy was used for this recording. As usual, Mingus likes a large-scale group, but this one has fewer than what I am used to. The mastering and recording are excellent. Overall, this is excellent. Player: Oppo BDP-93

If this is the way they are starting posted on 10/13/2023 5 Stars Reviewer: Ed Hilston My first SACD of the Atlantic 75 series and it is fantastic. You will want to turn up the volume, no compression here. It all sounds great and if you are even considering it, pull the trigger.

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