Dean Martin - Dream With Dean - The Intimate Dean Martin

Now on Hybrid Stereo SACD!

Remastered by Ryan Smith at Sterling Sound from the original analog tape

"Arguably one of Dino's most satisfying albums, this was a concept of sorts that found him covering standards with the dependable Ken Lane on piano, drummer Irv Cottler, bassist Red Mitchell and guitartist Barney Kessel doing a superb job of suggesting a late-night gig in a half-empty bar. That should be enough to tempt you to hear Dino as he out-Sinatras Frank with 'Blue Moon,' 'Smile,' 'Fools Rush In,' et al.

"But the gem is the earlier, sparse version of 'Everybody Loves Somebody.' Because the hit 45 came out before this was released, Reprise issued a rush-job compilation on the same day containing the chart version. This utterly slaughters it." — Sound Quality = 90% — Ken Kessler, HiFi News, March 2016

"A profile of a rugged Dean Martin by the fireplace with a cigarette adorns the jacket of this very interesting concept album. As Stan Cornyn's liner notes explain, 'his longtime accompanist' on piano, Ken Lane, with 'three of Hollywood's most thoughtful rhythm men' - those being drummer Irv Cottler, bassist Red Mitchell, and guitarist Barney Kessel - do create a mood, Dean Martin performing as if he were a lounge singer at 1:15 a.m. as the Saturday night crowd is dwindling. His signature tune, 'Everybody Loves Somebody,' is here in a laid-back style, produced by Jimmy Bowen, who would go on to produce Reba McEntire, Kenny Rogers & the First Edition, and so many others, also the same man who was behind the 1964 number one smash.

"This album with the original Martin recording was released after the hit single version and on the same day as the Everybody Loves Somebody LP, but how many times does the audience get a different studio reading of a seminal hit record? Not only that, but the version that preceded the hit. The backing is so sparse it is almost a cappella, with Kessel's guitar noodlings and Ken Lane's piano. The bass is mostly invisible, coming in only when needed. It's a slow and sultry version that caps off side one.

"Martin is just crooning away, and if the album has one drawback, it is that the 12 songs are incessant in their providing the same atmosphere. The backing quartet does not deviate from their job, nor does producer Jimmy Bowen add any technique, other than putting Martin's voice way out in the mix. But Dream With Dean was no doubt the product of excellent research and development, as Bowen landed 11 Top 40 hits with the singer from 1964's "Everybody Loves Somebody," which evolved out of this original idea, to 1967's 'Little Old Wine Drinker, Me.' It sounds as if they tracked the album in one afternoon, and it is not only a very pleasant listening experience, it shows what a tremendous vocalist Dean Martin truly was." - AllMusic.com. Now Dream With Dean — The Intimate Dean Martin — is back bigger and better than ever! We've gone the deluxe Analogue Productions route — remastered from the original analog tape by Ryan Smith at Sterling Sound, and now available as a Hybrid Stereo SACD. This Hybrid SACD plays in both CD and SACD players, as well as all SACD-compatible DVD players. A great title, a brilliant reissue. Exceptional!

1. I’m Confessin’

2. Fools Rush In

3. I’ll Buy That Dream

4. If You Were The Only Girl

5. Blue Moon

6. Everybody Love Somebody

7. I Don’t Know Why

8. “Gimmie” A Little Kiss

9. Hands Across The Table

10. Smile

11. My Melancholy Baby

12. Baby Won’t You Please Come Home

Customer Reviews (5.00 Stars) 3 person(s) rated this product.

My new "Go To" disc! posted on 12/09/2021 5 Stars Absolutely Amazing! Dean's Voice is incredible and the sonics are nearly perfect. If you have a high-end system, get this one---you won't regret it.

Terrific Listening Experience! posted on 07/02/2019 5 Stars Reviewer: Michael C. Just received my SACD copy today along with two other selections. This one was the first I listened to and it is awesome!! I know this is almost trite but it was like Dean and his backup quartet (guitar, bass,piano, and drums) were in the room with me. At one point you could actually hear Deane take a small breath, and the subtle nuances of the various instruments were clearly present. To think that this music was recorded in 1964 and it still sounds like this is truly extraordinary!! Highly recommended!

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