The Doors - Morrison Hotel


Label:

Analogue Productions

Genre:

Pop/Rock

Product No.:
CAPP 75007 SA
Availability:
In Stock
Category:

Hybrid Multichannel SACD



Hybrid Multichannel SACD

(Not Eligible for Additional Discount)
$30.00

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Also available on:
FLAC 96kHz/24bit Download
DSD (Single Rate) 2.8MHz/64fs Download
Stereo

45 RPM Vinyl Record



Please note: Individual Doors titles are not numbered. Only the Infinite 45 RPM LP and SACD box sets are numbered, and limited to 2,500 copies.

Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.

Hybrid Multichannel SACD

Part of The Doors reissue series proudly presented by Analogue Productions!

The surround sound program on the Doors SACDs comes from the original 96K, 24-bit files mixed and mastered by Bruce Botnick for the DVD Audio Doors/Perception release. Those mixes were made from the original one-inch, eight track, 15 i.p.s. analog master tapes. For the SACDs, the mixes were then up-sampled without filters to DSD using the Weiss Saracon format converter and authored by Gus Skinas at the Super Audio Center.

Rolling Stone proclaimed that Morrison Hotel opens "with a powerful blast of raw funk called ‘Roadhouse Blues’. It features jagged barrelhouse piano, fierce guitar, and one of the most convincing raunchy vocals Jim Morrison has ever recorded."

In short, the harsh brilliance of "Roadhouse Blues" was its angry hard rock manner, brought to fore in brooding fashion with a chillingly true Morrison lyric: "I woke up this morning and I got myself a beer/The future’s uncertain and the end is always near."

Making it one of The Doors’ best-ever tracks, "Roadhouse Blues" was joined as praise-worthy in Rolling Stones’ review by the buoyant catchiness of another Morrison Hotel single, "Land Ho." "A chanty that sets you rocking and swaying on first listen and never fails to bring a smile every time it’s repeated."

Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman — are featured on 200-gram vinyl, pressed at 45 rpm. All six titles are also available on Hybrid Multichannel SACD! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy.

This is no time to wallow in the mire. The Doors are on Analogue Productions!

Originally released in 1970

Ray Manzarek, keyboards

Jim Morrison, vocals

John Densmore, drums

Robby Krieger, guitar

Technical notes about the recording process by Doors producer/engineer Bruce Botnick:

"Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate.

"If you listen to all the Doors albums, no attempt was made to create sounds that weren't generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that's another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn't have plug-ins or anything beyond an analogue eight-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, three-track. On EKS-74007, The Doors, we used four-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn't use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on "When The Music's Over," which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room.

"When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters."

- Bruce Botnick, July 2012



Click here to read a 1997 interview in The Tracking Angle with Doors producer/engineer Bruce Botnick.

 

 

 



1. Roadhouse Blues
2. Waiting for the Sun
3. You Make Me Real
4. Peace Frog
5. Blue Sunday
6. Ship of Fools
7. Land Ho!
8. The Spy
9. Queen of the Highway
10. Indian Summer
11. Maggie M'Gill

Customer Reviews (4.50 Stars) 2 person(s) rated this product.

better than CD

posted on 02/26/2013
4 Stars
Reviewer: Barry
After a few listens, it's better than the redbook version hands down, but the surround engineering isn't as good as some of the others - Waiting for the Sun, Strange Days, and LA Woman. It's still the best version I've heard of the album though and I'd buy it again.


hang on

posted on 10/09/2012
5 Stars
just put on waiting for the sun turn it up as loud as you can you will think youre in the studio.IT`S THAT GOOD


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