Konstantin Simonovitch - Luc Ferrari: Presque Rien No. 1, Societe II

Konstantin Simonovitch — Luc Ferrari: Presque Rien No. 1, Societe II

Avantgarde Vinyl Series No. 1 on 180-gram vinyl

Mixed & lacquers cut from the original analog 1" 8-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios

Limited and numbered edition with original artwork

Plus a newly-designed, beautifully crafted collector's sleeve with new liner notes by Bradford Bailey

The Avantgarde Vinyl Series features pioneering recordings from the musical avant-garde.

Luc Ferrari's Presque Rien No. 1 and Société II stand among the most radical works of the twentieth-century avant-garde. With Presque Rien No. 1 (Daybreak at the Seaside), Ferrari pioneered the use of untreated environmental recordings as complete musical material — capturing the sounds of a Croatian fishing village at dawn to create what he called a "soundscape." Stripped of manipulation or conventional composition, it marked a decisive shift toward sonic minimalism and ecological listening, influencing generations of experimental artists.

In stark contrast, Société II (And if the piano were a woman's body), scored for piano, percussion, and ensemble, embodies Ferrari's politically charged, theatrical side. Written amid the social upheavals of the late 1960s, it stages a feminist allegory in which performers vie for dominance, blending structure, improvisation, and satire.

Vinyl mixed and cut from the original analog 1-inch 8-track master tapes by Rainer Maillard and Sidney Claire Meyer at Emil Berliner Studios.

Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector's sleeve with new liner notes by Bradford Bailey, and pressed on 180-gram vinyl.

 

 

Side A

1. L. Ferrari: Presque Rien No. 1 (Lever du Jour au Bord de la Mer)

Side B

1. L. Ferrari: Societé II (et si le Piano était un Corps de Femme)

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