Michel Legrand - Legrand Jazz

Non-numbered copies

Remastered from the original analog stereo masters for the first time!

The greatest assembly of musical talent ever on one album!

Features performances by John Coltrane, Miles Davis, Bill Evans, Ben Webster and 27 more jazz greats!

"This will make both your stereo and your heart sing. Some of the greatest jazz musicians of that or any era wailing and clearly having a Legrand time. Limited to 3000 copies. Don't miss it!" — Music = 10/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com. Read the whole review here.

In 1958, a young, successful French composer-arranger with a major infatuation on American jazz, worked his way to New York and convinced the very best players of the time to record an album of largely jazz standards. Michel Legrand would go on to win numerous prizes and accolades (3 Oscars, 5 Grammies, 2 Palmes D'or, etc.), but little of what followed matched the sheer brilliance of Legrand Jazz.

Miles Davis, John Coltrane, Bill Evans, Ben Webster, Phil Woods and practically every other session man in town signed up for sessions with Legrand to record his idiosyncratic arrangements of standards ("Django", "Don’t Get Around Much Anymore", "Night in Tunisia", etc.). Instead of regurgitating then-current bop styles, he reinvented the very nature of orchestral jazz band repertoire to make a unique and forward-looking statement on the genre.

The sound of Impex's all-analog LP preserves the wide soundstage of late 50’s Columbia recordings while creating intimate spaces between players on the stage for maximum definition. This rare, highly-praised recording has never sounded as good as it does now. Go big with Legrand Jazz.

Legrand Jazz was greeted by an enthusiastic review in the magazine Down Beat. Dom Cerulli awarded it five stars out of a possible five.

The meticulously recreated outer jacket is packaged in a gatefold with an original photo montage inside honoring Michel Legrand's masterpiece of reinvention and sublime fan-boy enthusiasm.

Features:
• Mastered by Chris Bellman and Bob Donnelly on Bernie Grundman Mastering's all-tube cutting system, Hollywood, CA
• Analog mix-down transfer of the original 1958 work tapes by Mark Wilder at Battery Studios, New York, NY
• Plated and pressed at RTI, supervised by Rick Hashimoto
• Gatefold jacket housed inside a resealable, protective plastic sleeve

Musicians:
Michel Legrand, conductor, arranger (All songs)

For "The Jitterbug Waltz," "Django," "Wild Man Blues" & "'Round Midnight" Recorded June 25, 1958 (New York City)
Herbie Mann, flute
Betty Glamann, harp
Barry Calbraith, guitar
Miles Davis, trumpet
John Coltrane, tenor sax
Phil Woods, alto sax
Jerome Richardson, baritone sax, bass clarinet
Eddie Costa, vibes
Bill Evans, piano
Paul Chambers, bass
Kenny Dennis, drums

For "Nuages," "Blue And Sentimental," "Rosetta" & "Don't Get Around Much Anymore" Recorded June 27, 1958 (New York City)
Ben Webster, tenor sax
Herbie Mann, flute
Frank Rehak, trombone
Billy Byers, trombone
Jimmy Cleveland, trombone
Eddie Bert, trombone
Major Holly, bass, tuba
Don Lamond, drums
Hank Jones, piano
George Duvivier, bass

For "Night In Tunisia," "Stompin' At The Savoy" & "In A Mist" Recorded June 30, 1958 (New York City)
Ernie Royal, trumpet
Art Farmer, trumpet
Donald Byrd, trumpet
Joe Wilder, trumpet
Frank Rehak, trombone
Jimmy Cleveland, trombone
Gene Quill, alto sax
Phil Woods, alto sax
Seldon Powell, tenor sax
Teo Macero, baritone sax
James Buffington, French horn
Don Elliot, vibes
Milt Hinton, bass
Osie Johnson, drums
Nat Pierce, piano

 

Music

Sound

Ratings from Michael Fremer @ AnalogPlanet.com

1. The Jitterbug Waltz (Fats Waller)

2. Nuages (Django Reinhardt)

3. Night In Tunisia (Dizzy Gillespie)

4. Blue and Sentimental (Count Basie)

5. Stompin' At the Savoy (Benny Goodman)

6. Django (John Lewis)

7. Wild Man Blues (Jelly Roll Morton)

8. Rosetta (Earl Hines)

9. 'Round Midnight (Thelonious Monk)

10. Don't Get Around Much Anymore (Duke Ellington)

11. In A Mist (Bix Beiderbecke)

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