Count Basie - Live At The Sands (Before Frank)

 (Numbered - Limited)


Mobile Fidelity



Product No.:
AMOB 401
UPC: 821797240116
In Stock

180 Gram Vinyl Record

No. of Discs: 2

180 Gram LP  
(Not Eligible for Additional Discount)


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Numbered, limited edition 180-gram gatefold double LP

Digital clone of original 1998 PCM digital master to analog console to lathe

Live big-band album recorded during the count's 1966 warm-up sets for Sinatra in Vegas

Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader caused hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.'s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra's iconic Live at the Sands.

Mastered from the original master tapes and pressed at RTI, MoFi's analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You'll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence. Each horn occupies its own space, and Basie's transfixing piano — a focal point throughout — resonates with gorgeous detail and impeccable pacing. The collective's energy almost demands to be measured with an SPL meter.

Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie's signature pieces delivered with an enthusiasm and style. His band is stacked to the nines, with tenor saxophonist Eddie "Lockjaw" Davis, saxophonist/flautist Eric Dixon, and drummer "Sonny" Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.

Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis' turn on a white-hot "Jumpin' at the Woodside" and he and Dixon's exchanges on "This Could Be the Start of Something Big." No slouch, Basie approaches "Makin' Whoopee" with graceful playfulness, and oversees the assortment of uptempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard "I Can't Stop Loving You," arranged by Quincy Jones, can almost be considered a bonus.

No, it don't mean a thing if it ain't got that swing. And Basie and his mates have plenty of it on this superb outing.


Side 1
I Can’t Stop Loving You
I Needs to Be Bee’d With
Flight of the Foo Birds

Side 2
Satin Doll
Makin’ Whoopee!
Corner Pocket

Side 3
One O’Clock Jump
Hello Little Girl
Whirly Bird

Side 4
Blues for Ilene
This Could Be the Start of Something Big
Jumpin’ at the Woodside

Customer Reviews (4.67 Stars) 3 person(s) rated this product.

Performance great recording not top

posted on 12/15/2019
4 Stars
Reviewer: Mike
Musically it is great but the recording (or mastering/pressing) does not live up to an ok performance. Top freq is messy and in general disappointing even though as mentioned by another reviewer quite a spacious presentation. Sadly this will be sitting on the shelf unplayed.

Huge soundstage

posted on 12/29/2013
5 Stars
Reviewer: Cal
Just finished listening to this HEAVY 200 gram MFSL pressing. This LP has a HUGE SOUNDSTAGE. The band is very well "miked". Terrific bass presence, wonderful mids and highs. Before this recording I thought that 88 Basie Street on Pablo was a great recording -- which it is. But this album is even better. Skip the SACD. Buy the vinyl. This LP is the reason why you invested in your turntable, phono preamp, etc.

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