Fritz Reiner - Brahms: Violin Concerto/ Jascha Heifetz, violin


Label:

Analogue Productions (RCA Living Stereo)

Genre:

Classical

Product No.:
AAPC 1903
UPC: 753088190315
Availability:
In Stock
Category:

180 Gram Vinyl Record



180 Gram LP  
(Not Eligible for Additional Discount)

$40.00

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Also available on:
Hybrid Stereo SACD





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RCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound!

Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound

Lacquers plated by Gary Salstrom and pressed on 180-gram vinyl at Quality Record Pressings!

"These records are definitive." — Michael Fremer, editor, AnalogPlanet.com

Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. http://www.analogplanet.com/content/gruvy-awards

"These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound

Another of the rare performances of violinist Jascha Heifetz and conductor Fritz Reiner together with the Chicago Symphony Orchestra. The original 30 ips 2-track analog tape was used in mastering for LPs and SACDs. This stunning performance is nothing short of breathtaking.

 



1. Brahms Concerto in D, op. 77

Customer Reviews (4.00 Stars) 1 person(s) rated this product.

Excellent remastering of early Living Stereo

posted on 03/14/2016
4 Stars
Reviewer: Jonathan
I've heard quite a number of reissues of this recording over the last few decades. I'd never really considered this to be one of the great RCAs in technical terms - most remasterings have been a little too plump, subdued and warm sounding, lacking in inner detail and hall ambience as a result. I don't think the 2-track master really helps as compared to the 3 track recordings - you can still hear the "hole" in the middle even in this reissue where the sound is relatively diffuse. This reissue nevertheless sounds quite different to all the others - the top end, though perhaps a little metallic and brittle at times, has noticeably more energy and clarity than other reissues and as a result, the performance presents itself afresh with a "drive" lacking in other reissues. I think this particular reissue - more than any of the others in the series apart from the Rozsa / Benjamin disc also recently released - diverts more off the beaten path in technical terms, but in an advantageous way.


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