Lightnin' Hopkins - Goin' Away

 (Stereo)


Label:

Analogue Productions (Prestige)

Genre:

Blues

Product No.:
CPRJ 1073 SA
UPC: 753088107368
Availability:
Back Ordered
Category:

Hybrid Stereo SACD



Hybrid Stereo SACD
(Not Eligible for Additional Discount)

$30.00

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Also available on:
180 Gram Vinyl Record
Stereo





Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions — 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 331/3 and also released on Hybrid SACD

All mastered from the original analog master tapes by mastering maestro Kevin Gray

Sam “Lightnin’” Hopkins, a true poet who invented most of his lyrics on the spot and never seemed to run out of new ideas, was a blues giant of post-war blues whose style was rooted in pre-war Texas traditions. While he cranked up his amp to fierce proportions when performing for his friends at Houston juke joints, producers who recorded him for the so-called folk-blues market usually insisted that he use an acoustic guitar for more “authentic” results. Either way, Lightnin’ seldom made a bad record, and this June 4, 1963, session on which he played acoustic was among his finest, thanks much to the sensitive support of bassist Leonard Gaskin and drummer Herbie Lovelle, who did a remarkable job of following his irregular bar patterns and abrupt song endings.

 



1. Wake Up Old Lady
2. Don't Embarrass Me, Baby
3. Stranger Here
4. Little Sister's Boogie
5. Goin' Away
6. You Better Stop Her
7. Business You're Doin'
8. I'm Wit' It

Customer Reviews (5.00 Stars) 1 person(s) rated this product.

Amazing

posted on 07/20/2022
5 Stars
Reviewer: Brian VanPelt
There is a 200 gram LP of this album, and I want to echo the reviews I have seen for that. This is amazing.

It's just Lightnin' singing and playing guitar, a bass player and someone playing a drum. It's like being in the recording booth for the original sessions. There is absolutely no distortion of any kind, and there's not even tape hiss. This is unreal.

The soundstage is occupied on the left by the bassist, I think. The right is occupied by the drummer, and Lightnin' is in the center with his guitar. Every detail can be heard. Lightnin's voice is very well recorded - which I know is difficult to do. You can hear that he sings too close to the mic on occasion, but he doesn't distort even then. All of the instruments sound real/authentic on this completely acoustic album.

The amazing sound quality adds to the mesmerizing quality of this album. It's pretty much perfect.


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