Miles Davis Quintet - The Complete Live In Paris 1960, Vol. I

(Limited Numbered Edition)

Miles Davis Quintet - The Complete Live In Paris 1960, Vol. I

Label:	The Lost Recordings
Genre:	Jazz
Product No.:	ATLRE 2404054
EAN:	3770020964152
Availability:	Back Ordered
Category:	180 Gram Vinyl Record
No. of Discs:	2

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Miles Davis Quintet — The Complete Live In Paris 1960, Vol. 1

180-gram double vinyl 33 1/3 RPM limited to 3,000 hand-numbered copies!

Meticulously restored from original analog tapes

Lacquers cut by Kevin Gray at Cohearent Audio

Pressed by Simon Garcia, Marciac, France

Tip-on gatefold jacket printed in Italy

The Lost Recordings is proud to present the first-ever complete release of this extraordinary piece of music history featuring Miles Davis (trumpet), Sonny Stitt (saxophone), Wynton Kelly (piano), Paul Chambers (bass) and Jimmy Cobb (drums).

Almost two years a previously unreleased analog tape of the Miles Davis Quintet was discovered. It turned out to be the missing part of their legendary concert on Oct. 11, 1960 at the Paris Olympia Concert Hall. After nearly two years of search in the South of France, the USA and Sweden, the other tapes from the event were gathered and meticulously restored as well.

Recorded at the Olympia, Paris, France on Oct. 11, 1960.

Musicians:
Miles Davis, trumpet
Sonny Stitt, saxophone
Wynton Kelly, piano
Paul Chambers, bass
Jimmy Cobb, drums

LP 1 Side A

1. All Blues

2. Softly, as in Morning Sunrise

LP 1 Side B

1. Walkin'

2. Four

LP 2 Side A

1. Autumn Leaves

2. Makin' Whoopee

LP 2 Side B

1. So What

2. The Theme

Customer Reviews

(5.00 Stars) 1 person(s) rated this product.

A treasure! (music 10/audio 10)

posted on 04/27/2025

5 Stars
Reviewer: Jimmy Jet

Wow - I don’t think I’ve ever heard Miles play so aggressively on All Blues as he does here - I mean, at some points, it almost sounds like he’s over blowing. Then when Sonny comes in on sax, he’s energized too, maybe not as much as Miles, but this band is certainly “up” on this particularly night in the club. Don’t get me wrong, when I say things like aggressive and energized, It’s just that this is an interpretation of a lot of these songs I’ve never heard before, and it’s nice, gives you a new perspective and makes it sorta new and fresh.

Now, for the audio - it’s up there with some of the quietest vinyl I have. I’m not sure what Kevin Gray did when he cut the lacquers, but it sounds like high frequencies are cut into the vertical realm, so it’s a mono recording cut as stereo (not to be confused with simulated stereo - not what I’m saying). But the frequency spectrum is spread across both vertical and lateral grooves - so don’t switch to mono!

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