Bob Dylan - Bob Dylan
(Numbered Limited Edition Mono)
Label: |
Mobile Fidelity |
Genre: |
Pop/Rock |
Product No.: |
AMOB 458
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UPC: | 821797245814 |
Availability: |
In Stock
|
Category: |
45 RPM Vinyl Record |
No. of Discs: | 2 |
Note: | 180 Gram |
Also available on:
• Vinyl Record
Mono Version
• Hybrid Mono SACD
Numbered Limited Edition Mono
• Preowned Vinyl Record
180Gr.
• Preowned Vinyl Record
Columbia 2-Eye Stereo
• Preowned Vinyl Record
2014 pressing Oregon Collection
• Preowned Vinyl Record
2014 half-speed pressing sealed KC Collection
• Preowned Vinyl Record
2016 pressing not numbered mono
• Preowned Vinyl Record
2013/ UK/ 2LP Mono+Stereo/ Sealed
• Preowned Vinyl Record
Sealed
• 180 Gram Vinyl Record
Numbered Limited Edition Super Vinyl
180-gram 45 RPM mono 2LP!
Mastered from the original master tapes
Strictly limited to 3,000 copies, pressed at RTI!
Inspired by Woody Guthrie, clearest connection to Dylan's folk roots
Made when mono was still king, Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones.
Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's restored 180-gram mono 45RPM 2LP analog version brings the contents of this seminal release as closest as they've ever come to master tape-quality in the original mono configuration. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and directness — the "husk and bark" to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background chatter. Wider grooves mean more information reaches your ears.
As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. It paints listeners an incredibly accurate portrait of the attention-getting, concrete mass of sound that features no artificial panning and straight-ahead immersion into the music. This is how almost everyone first heard this timeless album — making the mono mix all the more historically valuable and truthful.
1. You're No Good | 2. Talkin' New York | 3. In My Time of Dyin' | 4. Man of Constant Sorrow | 5. Fixin' to Die | 6. Pretty Peggy-O | 7. Highway 51 | 8. Gospel Plow | 9. Baby, Let Me Follow You Down | 10. House of the Risin' Sun | 11. Freight Train Blues | 12. Song to Woody | 13. See That My Grave Is Kept Clean |
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