Robert Ziegler and Rachel Fuller - Pete Townshend's Classic Quadrophenia

180-gram gatefold double LP

Album download included

As a leading icon of the British music revolution of the 1960s, Pete Townshend made his name by creating the power chord, smashing guitars onstage, and penning anthems of teenage rebellion like My Generation.

Now, at almost 70 years old and half a century after he penned the archetypal rock lyric  “Hope I die before I get old”, Townshend has created a “classical” version of one of The Who’s landmark albums – Quadrophenia – for a symphony orchestra, opera singer and choir.

The new “symphonised” version of Quadrophenia, an album originally released by The Who in 1973, was orchestrated by Rachel Fuller, a professional composer, orchestrator and singer-songwriter in her own right — and also the partner of Pete Townshend.

It will be released by the Deutsche Grammophon label, internationally renowned for its repertoire of classical and opera music, and launched next summer with a world premiere concert at the Royal Albert Hall, performed by the Royal Philharmonic Orchestra and London Oriana Choir.

The project is the latest chapter in Townshend’s lifelong mission to break the three-minute mold of the traditional pop song and take rock music to a higher artistic level. In the 1960s he defined the concept of the “rock opera” with Tommy, taking it a stage further with Quadrophenia.

Conceived and written by Townshend in 1973, Quadrophenia went on to become a feature film and a theatre production, and was performed in its entirety on The Who’s most recent live tour. For the last three years Townshend has worked closely with Rachel Fuller on brand-new arrangements for orchestra, soloists and choir.

Recorded with the Royal Philharmonic Orchestra in October 2014 at London’s legendary Air Studios, the new incarnation of this classic rock opera is conducted by Robert Ziegler and features popular British tenor Alfie Boe on vocals, with Townshend himself on electric guitar and performing cameo vocal roles.

The rock superstar began work on the project as part of his plan to leave a legacy of all his work arranged for orchestra as sheet music, for future generations to enjoy.

Townshend hopes the new work will go on to become a regular part of the orchestral repertoire and boost attendance at classical concerts.

“A lot of major symphony orchestras are in trouble because their audience is getting old and the younger audiences prefer softer stuff, such as film soundtrack music,” he explains. “I think that Quadrophenia would reinvigorate their audiences and bring in people who might not otherwise go to see a symphony orchestra perform without lights and fireworks and a movie screen.”

Rachel Fuller, who was born in the year Quadrophenia was first released, admits she had never heard The Who’s album until several years after she first met Townshend in a London recording studio, while he was rehearsing for The Who’s 1996 tour of that album and she was working with Ute Lemper.

“I loved it as soon as I heard it about ten years ago,” she says. “For me it’s been an act of love to orchestrate it for Pete. It’s also been a joy to work on because it is very orchestral by nature, even as a rock album, so it was very easy to arrange for an orchestra. And I’ve remained really faithful to the original tracks because he’s the composer and I want to honor his work.”

Alfie Boe, who sings the parts originally sung by Roger Daltrey, was also born in 1973 but has been listening to Quadrophenia for years. “It’s in my blood. I grew up on rock music and always had that fantasy of being a rock singer before I trained as an opera singer. I’ve always thought the classical voice can lend itself to this type of repertoire. It’s harder than opera, but thrilling to sing. The music is so full of excitement, positivity and strength — I wouldn’t separate it from a symphony by Beethoven or Mozart.”

Conductor Robert Ziegler remembers seeing The Who while he was growing up in Los Angeles and later met Townshend while working on a radio documentary about filmmaker Ken Russell, who directed the film version of Tommy. “It’s very interesting when an orchestra comes together with rock musicians with a different frame of reference, and when you get people that are really at the top of their field to make music together, everyone is happy.”

Commenting on Alfie Boe taking the “lead” role, Townshend says: “Alfie is a true star, who gives every performance his all. He reminds me of Roger Daltrey in that — he’s also a real pleasure to work with. I never thought I’d hear a classical tenor singing my songs, and for them to work so well — but Alfie makes it happen. He’s a funny man too, and good looking. The girls like him. I can’t wait to be on stage with him. I’m going to push him into the orchestra pit.”