CCAPJ 9655 SA
SHM Single Layer SACDs
|Note:||OBI Strip may or may not be included and packaging may change as stock from manufacturer varies.|
Plays only in a Super Audio Disc Player
The Beach Boys' landmark 1966 album features "Wouldn't It Be Nice," "God Only Knows," And "Sloop John B!"
Rolling Stone 500 Greatest Albums of All Time — Rated 2/500!
Rolling Stone 500 Greatest Songs of All Time — "Sloop John B" - Rated 276/500!
Pet Sounds is the 11th studio album by The Beach Boys. Released on May 16, 1966, it initially met a lukewarm critical and commercial reception in the United States but received immediate success abroad, where British publications declared it "the most progressive pop album ever." In later years, the album garnered enormous worldwide acclaim by critics and musicians alike, and is regarded as one of the most influential pieces in the history of popular music.
The album was produced by Brian Wilson, who also wrote and composed almost all of its music. Sessions were conducted several months after he had quit touring with the Beach Boys in order to focus his attention on writing and recording. Collaborating with lyricist Tony Asher, Wilson's symphonic arrangements wove elaborate layers of vocal harmonies, coupled with sound effects and unconventional instruments such as bicycle bells, buzzing organs, harpsichords, flutes, Electro-Theremin, dog whistles, trains, Hawaiian-sounding string instruments, Coca-Cola cans and barking dogs, along with the more usual keyboards and guitars. Together, they comprised Wilson's "pet sounds," played in music styles which incorporated elements of jazz, exotica, classical, and the avant-garde. It was led by the singles "Wouldn't It Be Nice," "God Only Knows," and "Sloop John B."
A heralding work in the emerging psychedelic rock style, Pet Sounds signaled an aesthetic trend within rock by transforming it from dance music into music that was made for listening to, elevating itself to the level of art rock. It was one of the first rock concept albums —Wilson has maintained that the album's real unified theme lies within its cohesive production style. Writer Bill Martin said that within Pet Sounds, "[The Beach Boys] brought expansions in harmony, instrumentation (and therefore timbre), duration, rhythm, and the use of recording technology. Of these elements, the first and last were the most important in clearing a pathway toward the development of progressive rock." Beyond pop and rock, Pet Sounds expanded the field of music production.
• Mono Single Layer SACD
• SACD layer only, to secure enough reflectance and not to compress DSD file.
• Label of the disc is printed with a special green ink called 'Onsho Shiyou,' which minimizes diffuse reflection.
• Carefully selected master audio is used, from existing DSD files to newly converted from analog tapes.
• This disc will ONLY work on a Super Audio Disc Player
|1. Wouldn’t It Be Nice|
|2. You Still Believe In Me|
|3. That’s Not Me|
|4. Don’t Talk (Put Your Head on My Shoulder)|
|5. I’m Waiting for the Day|
|6. Let’s Go Away for Awhile|
|7. Sloop John B|
|8. God Only Knows|
|9. I Know There’s An Answer|
|10. Here Today|
|11. I Just Wasn’t Made for These Times|
|12. Pet Sounds|
|13. Caroline, No|