The Hot Club Of San Francisco - Yerba Buena Bounce

Reference Mastercuts Series!

Half-speed mastered; 200-gram, 45 RPM two-disc LP set pressed at Quality Record Pressings

"San Francisco has the earned reputation as a city that is unique and goes its own independent direction. I think that can also be said of the Hot Club of San Francisco, a creative band that masters Gypsy Jazz, but gives it new shape, sound and inspiration on this entertaining (album)." — Harvey Barkan, L.A. Jazz Scene

"The impression that the musicians are there in the room, full-sized, is downright eerie. That and the lively swing of these musicians make this recording a must-have." — Ultra High Fidelity

Exceptional 200-gram deluxe vinyl pressing. Deluxe gatefold jackets crafted by Stoughton Printing. With Yerba Buena Bounce, its 10th album, The Hot Club of San Francisco confirms its reputation as America's longest-running and finest Gypsy Jazz ensemble. Inspired explorations of Django Reinhardt's tunes, originals and more, are captured in shimmering sound. The Hot Club of San Francisco is a quintet of accomplished and versatile musicians who celebrate Django Reinhardt's and Stephane Grappelli's renowned Hot Club de France. The ensemble borrows the all-string instrumentation of three guitars, violin and bass from the original Hot Club but breathes new life into the music with innovative arrangements of classic tunes and original compositions from the group's superb lead guitarist, Paul Mehling. Hearing the ensemble takes the listener back to the 1930s and to the small, smoky jazz clubs of Paris. Mandolinist David Grisman, father of Dawg music and good friend of The Hot Club, makes a special guest appearance on two tracks. The set is further enhanced by bandoneon virtuoso Seth Asarno. Two bonus tracks feature the quintet augmented by three Dixieland horns.

Recorded by multi-Grammy-nominated "Prof." Keith Johnson at Fantasy Studios in Berkeley, California, the Yerba Buena Bounce sessions benefited from the historic ambience, scene of hundreds of classic jazz and rock recordings. Using his own custom-built microphones and electronics (as always), Johnson was able to utilize some of Fantasy's unique facilities, such as a legendary echo chamber, to add luster to his always life-like soundscapes.