Mastered by Doug Sax
This album finds Janis' voice in its purest, most vital form ever. The tracks were recorded as live as possible without sounding retro. This 1992 all-analogue recording, praised as much for the artist's too infrequently heard talents as for its recorded dynamics, is now available on an equally meticulous transfer to gold-plated CD.
Both the Gold CD and audiophile LP versions reflect what the two top bibles of high-end audio decree as an impeccable production that has come to be regarded as a high-fidelity reference. Matched with Ian's very personal songs, delivered in a voice that draws you in close in confidence, Breaking Silence is one of the very few recordings of recent years that by reproducing a pure analogue sound, has attained true audiophile status. This CD has been remastered using the 20+16 Ultra Matrix Processing. This mastering technique that enables more information to be extracted from the analog tapes to be encoded and transferred to the CD master. Essentially it is a means of folding down 20 bits of digital information into the 16 bit CD medium using Sheffield's own 20 bit analog to digital converter and an Apogee UV22 processor. This combination creates the truest and most accurate CD master from the original analog recording, and is the finest analog-to-digital transfer process currently available.
Tracks were recorded at Nightingale Studio on a Studer 820, 16-track machine, 30 IPS, non-dolby, at the elevation of +6/250 nu using Ampex 499 tape.
Included among the mics used on the recording dates were: Nuemann M-49, AKG C-12, Telefunken 251, Sheffield C-9 and a custom built tube direct box on the bass. Janis' vocal was recorded using a Telefunken U-47 and a Mastering Lab mic preamp, linked with series-one Monster Cable direct to the back of the multi-track machine with no EQ or Limiting.
The album was mixed at Bill Schnee Studio to an Ampex ATR 1/2" machine, at 30 IPS, non-dolby, at the elevation of +3/250 nu on Ampex 499 tape. The reverb on the album was an EMT tube plate used along with natural room sounds captured in the recording. During the mixing of the album, "Some People's Lives" was recorded direct to two-track using the same vocal chain as above and Telefunken 251's on the piano. Take number two was used as the album cut. The album was mixed using Mastering Lab modified Tannoy SGM-10's powered by Sherwood-Sax mono-block tube amps.
Produced, engineered and mixed by Jeff Balding. Mastered by Doug Sax.
|1. All Roads To The River|
|2. Ride Me Like A Wave|
|4. Guess You Had To Be There|
|5. What About The Love|
|6. His Hands|
|7. Walking On Sacred Ground|
|8. This Train Still Runs|
|9. Through The Years|
|10. This House|
|11. Some People's Lives|
|12. Breaking Silence|
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