CCGJ 9039 SA
SHM Single Layer SACDs
|Note:||OBI Strip may or may not be included and packaging may change as stock from manufacturer varies.|
SHM-SACD (Super High Material SACD) is the ultimate Super Audio CD that utilizes the materials and technologies that were developed for the SHM-CD to further enhance the audio-resolution. These discs are made with polycarbonate developed for the screen of the liquid crystal display. As it has a higher transparency, players can read the signal more faithfully. Also, it excels in fluidity, which enables you to cast a more accurate pit. What works wonders for a low resolution format such as CD should offer even greater sonic improvements in a real high resolution format such as SACD.
- Two-channel SACD layer only, to secure enough reflectance and not to compress DSD file.
- Label of the disc is printed with a special green ink called 'Onsho Shiyou,' which minimizes diffuse reflection.
- Carefully selected master audio is used, from existing DSD files to newly converted from analog tapes.
One of the pivotal recordings in bringing about the widespread acceptance of Sonny Rollins as a major figure, Saxophone Colossus inspired critics to write scholarly analysis and fans to revel in the hard-swinging invention, humor, and tender-strength balladry. Up to this album, while most musicians recognized Rollins as one of the new influential forces in the jazz of the Fifties, most critics were carping at Rollins or damning him with faint praise. "St. Thomas," a traditional West Indian melody which Mal Waldron remembered as "The Carnival," was recorded by many artists after Sonny introduced it here, and it remains a jazz standard today. The contributions of Tommy Flanagan's elegant swing, Doug Watkins' steady lift and Max Roach's most musical accompaniment and soloing (hear "Blue 7") make this a landmark album.
|1. Strode Rode|
|2. Blue 7|
|4. St. Thomas|
|5. You Don't Know What Love Is|