DSD (Double Rate) 5.6MHz/128fs Download
Even serious devotees will agree this recording is decidedly uncharted territory in the discography of Grant Green. Bassist Ronnie Ware shines brightly throughout and keyboardist Emmanuel Riggins mirrors Green’s guitar riffs so closely on the keyboard that sometimes it feels as if there are two guitars playing at once. Vancouver DJ and the original producer of this recording, Gary Barclay, notes in his 1975 interview with Emmanuel Riggins, “You get a sound that, if I wasn’t listening attentively, I sometimes thought you were Grant Green! (Laughs) You’ve got the sound so close to that guitar. That they were almost interchangeable.”
Recorded less than four years before his untimely death at the young age of 43, Slick! – Live at Oil Can Harry’s has Green still playing familiar songs in non-traditional ways, pushing the limits of traditional jazz and stretching the form. Green continued to fuse a rock beat with jazz creating a heavier and heavier funk sound.
The 2xHD proprietary mastering provides a unique listening experience as the process digs deep in original recordings to bring out all hidden information, without altering the music in any way, uncovering and bringing out nuances, warmth, depth of field and even the air around the musicians.
The 2xHD logo on an album cover indicates that the recording was carefully selected and the high resolution mastering was done using the 2xHD process. Created by producer/studio owner André Perry and prize-winning audiophile sound engineer René Laflamme in collaboration with several high-end audio equipment manufacturers, the 2xHD music remastering system combines the best of vintage analog with state-of-the-art DSD and DXD digital technology – a ‘Back to the Future’ approach. Each musical project is treated with individual attention to the selection of equipment.
Some of the top flight gear used in the process includes a selection of cutting-edge A/D and D/A converters to obtain the most natural DSD or PCM sound, such as a NAGRA-T tape recorder - modified with all tubes playback electronics (With its four direct drive motors and the tape sensor head, The NAGRA-T is one of the best transports ever made), a modified vacuum tube NAGRA HD dac (DSD) to make it possible to obtain real analog sound from a digital master and in some cases even battery power is used so as to benefit from the cleanest power source possible. The 2XHD FUSION mastering system is powered by super capacitor power supplies with new technology that lowers the digital noise which is heard in the lowest levels, something that was not possible before. The resulting signal is then transformed to high resolution formats by recording it in DSD 256 kHz using the Merging Technologies’ Horus A to D converter - which is also powered by a super capacitor power supply. All analog and digital cables are the finest state of the art available today. Also used in the process are Pyramix Masscore (records all high resolution formats, allowing for great flexibility), an Atomic Clock for re-clocking, and Siltech & Shunyata cables (all digital and analog cables are reduced to a minimum optimal length in the digital conversion and mastering system).
The particular open sound and feeling of having no ceiling to the music are obtained through the 2xHD high resolution transfer. In the case of an original analog master tapes, transfer to DSD 256. In the case of an original 96/24 or DXD/DSD master, transfer is made to analogue using cutting edge D/A converters.
2xHD is an accurate and musical mastering system, earning recognition from peers and from the specialized trade publications around the world.