The Beach Boys - Beach Boys' Party!

 (Stereo & Mono)




DSD Download authored by Gus Skinas

The ultimate pressings of the Beach Boys discography from Analogue Productions!

Original mono mix produced by Brian Wilson

Beach Boys Party! stereo mix created in 2012 from the original 3-track master tapes. The album, having been recorded to analog tape, was then transferred to high resolution digital and then mixed from high resolution digital assembled masters (88.2 kHz/24 bit) and printed to 1/4" analog tape at 15 ips CCIR.

Stereo mixes produced by Mark Linett and Alan Boyd / Mixed by Mark Linett

Audio production — Mark Linett

For Brother Records — Elliott Lott

Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available

"These are the best sounding and best-looking versions of the Beach Boys records that have ever been produced. We want everything about these to be better than the original." — Chad Kassem, owner and CEO, Acoustic Sounds

"What I can say is that Kevin Gray has been able to extract every last bit of information from whatever tape is in the box, and present it in a way that is pleasing and natural to the ear. ... in my opinion, the Analogue Productions pressings are now THE definitive issue of each Beach Boys album, and will be my reference copies until if and when something better comes along — which may be never." — Lee Dempsey, Endless Summer Quarterly, Summer 2015 Edition

A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, now presented on Hybrid Stereo/Mono SACD, these are awesome recordings to experience. 

For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format. Hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson — famed co-founder, songwriter and arranger — who suffers from partial deafness. The mono mixes were where Wilson paid intense attention, and the dedication paid off! 

We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!

But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl,” “In My Room,” “Little Deuce Coupe” and more lend themseleves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well. 

Mastered by Kevin Gray, most from the original master tapes, now presented on Hybrid Stereo/Mono SACD, these are awesome recordings to experience. 

The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.

"Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist.

All of the newer stereo mixes on these remastered albums (The Beach Boys Today!Summer Days (And Summer Nights!!), The Beach Boys' PartyPet Sounds and Smiley Smile) were done by Mark Linett on behalf of the Beach Boys.

Capitol Records, which had already released 10 Beach Boys albums in three years, was bugging the group for product that it could release in time for the 1965 Christmas season. To buy time while Brian Wilson began conceiving the Pet Sounds masterpiece, the group issued a set of covers, mostly of the '50s rock and R&B they had listened to as schoolboys. The album Beach Boys' Party! was actually recorded in a studio, but to give the album a live "party" sound, laughter and background chatter was carefully mixed in during post-production. 

With the exception of a bass guitar, all the instruments heard on Beach Boys' Party were acoustic; the acoustic guitar-and-bongo arrangements, in fact, give this a hootenanny campfire feel. "In recent years, this album has gone up a few notches in critical esteem, praised for its loose, casual feel and insight into the group's influences. ... It does have the massive hit 'Barbara Ann,' which actually features Dean Torrence (of Jan & Dean) on much of the lead vocals; other highlights include 'Mountain of Love,' an unexpected version of 'The Times They Are a-Changin',' and three Beatles covers." — AllMusic.com



Hully Gully
I Should Have Known Better
Tell Me Why
Papa-Oom-Mow-Mow
Mountain Of Love
You've Got To Hide Your Love Away
Devoted To You
Alley Oop
There's No Other (Like My Baby)
Medley: I Get Around/Little Deuce Coupe
The Times They Are A-Changin'
Barbara Ann
Hully Gully
I Should Have Known Better
Tell Me Why
Papa-Oom-Mow-Mow
Mountain Of Love
You've Got To Hide Your Love Away
Devoted To You
Alley Oop
There's No Other (Like My Baby)
Medley: I Get Around/Little Deuce Coupe
The Times They Are A-Changin'
Barbara Ann

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