180 Gram Vinyl Record
|No. of Discs:||2|
Limited edition pop-up gatefold 2LP gray vinyl
Full-color photo inner sleeves
Album download included, offer subject to expiration
They were the Kings of the Road. They lived on it. They loved it. It loved them. And never was the spirit of Motörhead more alive than when they were on tour — shake, rattle and rolling audiences to within an inch of their lives thanks to that indomitable cocktail of power, purpose and head-crunching volume. Yeah. In fact, after four decades of bone-pulverizing duty, Motörhead were still enjoying sold-out gigs worldwide.
On November 20th and 21st 2015, at the Zenith in Munich, Germany, UDR Records made the decision to record — what happened to be the band's very last live shows ever recorded — and Motörhead proceeded to deliver two storming sold out shows.
What you have in this package is an artifact — the phenomenal pop-up gatefold is stunning to behold. You'll view Motorhead in their full glory, commanding the stage. The accompanying heavyweight gray vinyl pressing is superbly executed.
Consulting with the band's longtime studio producer Cameron Webb, preparations were made to make sure the technical specs were as good as they could be. Where there had once been almost too-fast breakneck pace, there was measured yet still thunderous rock'n'roll served up only as they could, Phil Campbell playing better than he had in years, and Mikkey Dee elevating the art of drumming to the superlative heights which made him one of metal's most coveted skinsmen.
Lemmy. Oh he sounds so dialed in, a little mean even (in the best possible way) snarling here and there, cackling when appropriate, and singing in a way which will defy every single pre-conceived expectation you might have had. Yes, he was fighting ailments. Yes he was fighting the sadness of losing Phil ‘Philthy Animal' Taylor. But no, he was not flimsy or faded, in fact on Clean Your Clock he lays down the marker for all near-70 year olds in terms of wicked bad-assery. Those first strains of the mighty "Bomber" are like a salve to all heavy metal souls, the reverberant classic forcing you to turn it up, Lemmy snarling and roaring like a man in his 20s, "Metropolis" grooving like the day it was written, and "Overkill" as mighty a pulverizer as ever...look, here is the unavoidable truth. There will be no more Motörhead tours because Lemmy is no longer here, and many, many people did not get a chance to hear them one more time on what proved to be their last-ever piece of road work.
Which makes Clean Your Clock a vitally important release. It is both a celebration and an epitaph, glorious yet not without melancholy. It had to sound right, as with all Motörhead releases, but this one was arguably more important than any of the others. Webb has done the show, and the band, proud by helping make sure the power of the band is not lost in some digital sinkhole, maintaining the warmth and curve of Motörhead's unique live sound. Clean Your Clock is the natural sound of one of rock'n'roll's mightiest, rarest and most astoundingly excellent beasts — Motörhead. There isn't a plaudit they haven't received and there isn't a plaudit they don't deserve.
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|Lost Woman Blues|
|Just ‘Cos You Got The Power|
|Ace Of Spades|