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t h e b e s t j a z z e v e r
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"what the critics are saying..." |
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Thelonious Monk - Brilliant Corners
SOLD OUT
Monk's third Riverside album — the first to include horns and emphasize his original compositions—
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Ben Webster - At The Renaissance
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For Ben Webster, his Los Angeles years of the late 1950's and early 1960's held massive frustration
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Coleman Hawkins - Night Hawk
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Coleman Hawkins is frequently identified as the father of the tenor saxophone. Technically, of
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Chet Baker - Chet
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Although always recognized as a trumpeter with unsurpassed lyrical qualities, Chet Baker had many
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Cannonball Adderley With Bill Evans - Know What I Mean?
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In a remarkable display of their musical range and sensitivity, the buoyant alto sax of Adderley and
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Willie Dixon & Memphis Slim - Willie's Blues
Less Than 100 Left
Since the early Fifties, Willie Dixon has been the studio kingpin of Chicago blues, having written,
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Count Basie - 88 Basie Street
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One of the pieces on this album is called "The Blues Machine," which could stand as a description of
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Art Pepper - Meets The Rhythm Section
Less Than 30 Left
Album notes don't always tell the whole story.
Contemporary president Les Koenig, who rightly felt
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Thelonious Monk and John Coltrane - Thelonious Monk With John Coltrane
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When Monk and Trane spent six months of 1957 working together at New York's
Five Spot Cafe, it was
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Bill Evans Trio - Moon beams
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Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in
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Vince Guaraldi Trio - Jazz Impressions of Black Orpheus
Less Than 200 Left
Jazz impression of Black Orpheus. In the early 60's, the Brazilian import called bossa nova swept
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Sonny Rollins - Tenor Madness
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The critics who had been slow in recognizing what fellow jazzmen already knew-that here was a young
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 Miles Davis Quintet - Relaxin' With The Miles Davis Quintet
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The second to be issued in the classic series of Davis quintet LPs in the mid-1950s |
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