The Doors - Waiting For The Sun


Label:

Analogue Productions

Genre:

Pop/Rock

Product No.:
AAPP 74024-45
Availability:
In Stock
Category:

45 RPM Vinyl Record


No. of Discs: 2
Note: 200 Gram

45 RPM  

(Not Eligible for Additional Discount)
$55.00

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Also available on:
Preowned Gold CD
DCC Gold CD

DSD (Single Rate) 2.8MHz/64fs Download
Stereo

Hybrid Multichannel SACD
FLAC 96kHz/24bit Download





Please note: Individual Doors titles are not numbered. Only the Infinite 45 RPM LP and SACD box sets are numbered, and limited to 2,500 copies.

Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.

Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings/Also on Hybrid Multichannel SACD

Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!

Waiting For The Sun, The Doors’ third album and its first chart-topper, delivered the No. 1 signature smash “Hello, I Love You” and the Top 40 hit “The Unknown Soldier.”

Slant Magazine proclaims that Waiting For The Sun contains some of The Doors’ prettiest, most genial lilts: “Love Street,” a fictionalized sketch of the Bohemian street where Morrison lived with his wife, Pamela Courson; the wistful “Summer's Almost Gone,” which includes the lovely refrain, “Morning found us calmly unaware/Noon burned gold into our hair”; and the placid piano ballad “Yes, The River Knows.” More and more, says Slant, Morrison was starting to emulate one of his idols, Frank Sinatra — “after all, they had an insatiable taste for women and alcohol in common.”

Waiting For The Sun was also some of The Doors' most combative, political work. "The Unknown Soldier" was a barefaced antiwar attack, a reaction to the Vietnam-era hostilities brewing on the home front.

Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles — The Doors, Strange Days, Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman —  are featured on 200-gram vinyl, pressed at 45 rpm. All six titles are also available on Multichannel SACD! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.

A truly authentic reissue project, the masters were recorded on tube equipment, and the tape machine used for the transfer of these releases is a tube machine, as is the cutting system. Tubes baby!

This is no time to wallow in the mire. The Doors are on Analogue Productions!

Originally released in 1968.

Ray Manzarek, keyboards

Jim Morrison, vocals

John Densmore, drums

Robby Krieger, guitar

Technical notes about the recording process by Doors producer/engineer Bruce Botnick:

"Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate.

"If you listen to all the Doors albums, no attempt was made to create sounds that weren't generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that's another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn't have plug-ins or anything beyond an analogue eight-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, three-track. On EKS-74007, The Doors, we used four-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn't use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on "When The Music's Over," which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room.

"When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters."

- Bruce Botnick, July 2012

"I received test pressings today for both Morrison Hotel and L.A. Woman. I have to tell you that these are the very best pressings I've heard in many, many moons. Great plating and your compound is so quiet that I clearly heard every fade out to its conclusion with no problem. Doug (Sax) and company did a lovely job, the tapes sound pretty damn good for being almost 50 years old and his system is clearly the best...You should be very proud of what you and your troops are doing." - Bruce Botnick, The Doors producer/engineer

Click here to read a 1997 interview in The Tracking Angle with Doors producer/engineer Bruce Botnick.

 

 



1. Hello, I Love You
2. Love Street
3. Not To Touch The Earth
4. Summer's Almost Gone
5. Wintertime Love
6. The Unknown Soldier
7. Spanish Caravan
8. My Wild Love
9. We Could Be So Good Together
10. Yes, The River Knows
11. Five To One

Customer Reviews (5.00 Stars) 1 person(s) rated this product.

OUTSTANDING!

posted on 08/19/2012
5 Stars
Reviewer: Ted Danowski
I've ordered all of The Doors on 45 rpm and the most significant word that comes to mind is outstanding! I've been listening to theses recordings for years. From early pressings to the gold cd's that I thought were pretty awesome. These pressings are the absolute pinnacle of audiophile gold. I've heard things I've never heard before in these songs and the vinyl is dead quiet. Open your wallet and buy these. You will not be disappointed! Chad this is a home run. If you can do The Beatles like this I would be in heaven.


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