Fritz Reiner - Moussorgsky/Ravel: Pictures At An Exhibition


Analogue Productions (RCA Living Stereo)



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DSD (Single Rate) 2.8MHz/64fs Download

DSD (Single Rate) 2.8MHz/64fs Download

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Gold CD
200 Gram Vinyl Record
Hybrid 3-Channel Stereo SACD

Total download size: 1.30GB Total play length: 33:06

Cover art and liner notes included

Remastered by Ryan Smith at Sterling Sound from the original analog masters, DSD file created by Gus Skinas of the Super Audio Center

Another sonic and musical blockbuster from the unbeatable combo of Reiner and RCA (and Mohr & Layton). Recorded in 1957 at Chicago's Orchestra Hall; the original analog session tapes were used in mastering for LPs and SACDS. Mussorgsky's inspiration for Pictures was the death of his dear friend, the architect and visual artist Victor Hartman. Having died at age 39, Hartman had not yet had the opportunity to realize any of his architectural visions, and Mussorgsky was angered that his friend would have no legacy. The Architects' Society arranged an exhibition of some of Hartman's sketches — some of architecture, others of characters or scenes from everyday life. The tribute was enough to give Mussorgsky ideas for his composition, but not enough to give Hartman any lasting place in history. Today, of all of the sketches that were captured in music, only six can be positively identified.

The piece is known today primarily through the orchestral version created by Maurice Ravel in 1922. In fact, the work had already been orchestrated multiple times, by a variety of lesser names. Some conductors today find that Ravel's version, in spite of its color, sacrifices some of the coarse nature inherent in Mussorgsky's piano original. Furthermore, Ravel worked from Rimsky-Korsakov's edited version of the piano part — the only one available at the time — which changed some notes and rhythms.

None of the orchestrations, however, change the fundamental spirit of the piece. Mussorgsky imagines himself making his way down the hallway that showcased his late friend's work, with his stately procession represented by the Promenade that opens the piece and returns several times. Upon stopping at each image, he reflects on what he sees. Between the early movements, the promenade returns regularly, as Mussorgsky is conscious of moving from one scene to the next. As the work progresses, however, he becomes less aware of the interval between pictures, and more immersed in the continuous psychological experience of moving from one state of mind to the next. By the end, the composer sees himself transformed by the connection with Hartman through his visual expressions of Russian pride and humanity.

Thus, here is the greatest orchestra and conductor of stereo's Golden Age in a powerhouse Living Stereo disc. These wide-range recordings are reproduced with astonishing clarity and spectacular presence. This incredible collection of Fritz Reiner's most popular and acclaimed recordings with the Chicago Symphony Orchestra will astonish and delight even the most hardened listener. A must for every music lover!

The first batch from a series of 25 cherry-picked RCA Living Stereo classics. Many more to come!

1. Promenade
2. Gnomus
3. Promenade
4. Il vecchio castello
5. Promenade
6. Tuileries (Dispute between children at play)
7. Bydlo
8. Promenade
9. Ballet of the Chicks in Their Shells
10. Samuel Goldenburg and Schmuyle
11. The Marketplace at Limoges
12. Catacombae, sepulchrum romanum
13. Con mortuis in lingua mortua
14. The Hut on Fowl's Legs
15. The Great Gate at Kiev

Customer Reviews (1.00 Stars) 1 person(s) rated this product.

Not as good as the Classic Records 45rpm

posted on 12/12/2015
1 Stars
Reviewer: Rudy
This is one of my favorite compositions, especially the RCA Living Stereo LSC 2201. I compared this DSD version to my Classic Records 45rpm reissue and in my opinion the Classic Records reissue beats it hands down. I don’t know what they did to the digital recording but it lacks soundstage, clarity and presents. This has nothing todo with vinyl vs. digital. The remastering of this DSD is, in my opinion, just not as good. There are digital recordings like Kind Of Blue or Time Out which are as good if not even better than the vinyl version. This is not one of them. It sounds rather veiled and the soundstage seams to be pushed back.

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