When UK-native James Blackshaw plays his 12-string guitar, something spiritual takes place. Performing and recording since 2003, his name is frequently mentioned as one of the foremost modern solo acoustic guitarists. Now at the age of 25, Blackshaw, an untrained musician, draws as much inspiration from early religious music, South-Asian folk music and composers such as Arvo Part, Simeon Ten Holt, Steve Reich and Charlemagne Palestine as he does from John Fahey, Robbie Basho and the early Takoma Records roster, constantly breaking boundaries in what could be conceived as a somewhat limited medium. In his part improvised and part written songs, Blackshaw makes expert use of Eastern and Western scales, chord changes reminiscent of European classical music and incredibly intricate finger-picking patterns to make a sound that is both challengingly minimalist, yet warm and approachable to anybody who might hear it, with a rare sensitivity that conveys immense beauty, hope and sadness.
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