Fritz Reiner - Moussorgsky/Ravel: Pictures At An Exhibition


Label:

Analogue Productions (RCA Living Stereo)

Genre:

Classical

Product No.:
AAPC 2201
Availability:
In Stock
Category:

200 Gram Vinyl Record



200 Gram LP  



RCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound!

Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound

Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings!

Acoustic Sounds customer Alan Hendler has this to say about the first three RCA reissues: "Just received your new vinyl of Scheherazade, Pictures and Pines and Fountains of Rome. After listening I have never heard anything that comes close to the glorious sound of these records. I have original vinyl, CD's, SACD's, XRCD's, Chesky and Classic Records remasters and nothing comes close to how good these sound. The overall balance of all the sections of the orchestra is superb. Wood winds are gorgeous. I will be buying more."

"These records are definitive." — Michael Fremer, editor, AnalogPlanet.com

Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. http://www.analogplanet.com/content/gruvy-awards

"These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound

"Grade: A+. Once again, as good as I've heard this record sound. Gorgeous strings, superb bass, avalanche dynamics with that same tape-like ease, sensational inner detail. The authority of the CSO is really something on fortissimo tuttis, of which there are many in Pictures." — Jonathan Valin, The Absolute Sound.com, June 11, 2013. To read the full review click here:To read the full review click here: http://www.theabsolutesound.com/articles/sneak-preview-acoustic-sounds-rca-reissues/

Another sonic and musical blockbuster from the unbeatable combo of Reiner and RCA (and Mohr & Layton). Recorded in 1957 at Chicago's Orchestra Hall; the original analog session tapes were used in mastering for LPs and SACDS. Mussorgsky's inspiration for Pictures was the death of his dear friend, the architect and visual artist Victor Hartman. Having died at age 39, Hartman had not yet had the opportunity to realize any of his architectural visions, and Mussorgsky was angered that his friend would have no legacy. The Architects' Society arranged an exhibition of some of Hartman's sketches — some of architecture, others of characters or scenes from everyday life. The tribute was enough to give Mussorgsky ideas for his composition, but not enough to give Hartman any lasting place in history. Today, of all of the sketches that were captured in music, only six can be positively identified.

The piece is known today primarily through the orchestral version created by Maurice Ravel in 1922. In fact, the work had already been orchestrated multiple times, by a variety of lesser names. Some conductors today find that Ravel's version, in spite of its color, sacrifices some of the coarse nature inherent in Mussorgsky's piano original. Furthermore, Ravel worked from Rimsky-Korsakov's edited version of the piano part — the only one available at the time — which changed some notes and rhythms.

None of the orchestrations, however, change the fundamental spirit of the piece. Mussorgsky imagines himself making his way down the hallway that showcased his late friend's work, with his stately procession represented by the Promenade that opens the piece and returns several times. Upon stopping at each image, he reflects on what he sees. Between the early movements, the promenade returns regularly, as Mussorgsky is conscious of moving from one scene to the next. As the work progresses, however, he becomes less aware of the interval between pictures, and more immersed in the continuous psychological experience of moving from one state of mind to the next. By the end, the composer sees himself transformed by the connection with Hartman through his visual expressions of Russian pride and humanity.

Musicians:
Chicago Symphony Orchestra
Fritz Reiner, conductor



Modest Mussorgsky (1839-1881) (Orch. Maurice Ravel)
Pictures At An Exhibition
1. Promenade
2. Gnomus
3. Promenade
4. Il Vecchio Castella
5. Promenade
6. Tuileries
7. Bydlo
8. Promenade
9. Ballet Of The Chicks In Their Shells
10. Samuel Goldenburg und Schmuyle
11. The Market Place At Limoges
12. Catacombae, Sepulchrum Romanum
13. Con Mortuis In Lingua Mortua
14. The Hut On Fowl's Legs
15. The Great Gate Of Kiev

Customer Reviews (5.00 Stars) 5 person(s) rated this product.

Just a fantastic record

posted on 02/26/2014
5 Stars
Reviewer: Tommy
I have a nice-sized collection of original RCA Victor Living Stereo LP discs, and this is among the titles. This version is noticeably livelier in the upper midrange with powerful dynamic response. Surface noise is not an issue with the original since it is NM- but this pressing is also extremely quiet, and a quality piece.


Moussorgsky / Ravel: Pictures At An Exhibition - Fritz Reiner

posted on 01/17/2014
5 Stars


Best Records Ever Printed

posted on 12/16/2013
5 Stars
I have all of the originals and reissues, and these new LP's are something special!


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