Bob Dylan - Another Side of Bob Dylan

 (Numbered Limited Edition)


Label:

Mobile Fidelity

Genre:

Folk Rock

Product No.:
AMOB 1379
Availability:
In Stock
Category:

45 RPM Vinyl Record


No. of Discs: 2
Note: 180 Gram

45 RPM  



Recorded in one day: Whimsical feel, surrealist lyrics, on-the-fly fluidness, grace

The bard's loosest 1960s effort, includes "I Shall Be Free No. 10," "It Ain't Me Babe," "My Back Pages," and "Chimes of Freedom."

Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed. http://www.analogplanet.com/content/gruvy-awards

The ever-evasive Bob Dylan never explicitly stated exactly what represented the "Another Side" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic album from the original master tapes and making it available on a double album 45 RPM vinyl LP. The end result is the very finest, most transparent digital stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964, in Columbia's Studio A and, displaying an openness he'd never before revealed in a formal environment, lays down the songs that compromise his fourth album.

The uninhibited joie de vive is discernable in the rattling piano lines on "Black Crow Blues," seemingly subconscious ramble of the hysterical folk rhyming of "Motorpsycho Nightmare," bluesy dream sequencing throughout "I Don't Believe You," and intentionally out-of-tune yodeling during "All I Really Want to Do." On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.

 

 



1. All I Really Want To Do
2. Black Crow Blues
3. Spanish Harlem Incident
4. Chimes of Freedom
5. I Shall Be Free No. 10
6. To Ramona
7. Motorpsycho Nitemare
8. My Back Pages
9. I Don't Believe You
10. Ballad in Plain D
11. It Ain't Me Babe

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