Symposium Acoustics - Isis Rack

"…The tonal aspect of the music has improved to the extent that every musical instrument in both classical and jazz styles sounds real. In the past before the stand, the sound accuracy was already very good but during each listening session the tonal balance would shift from correct to slightly hard or to slightly dull or slightly complex mix of not-quite-there-accuracy for unpredictable reasons. Now, it stays fixed to always accurate. Furthermore, the separation between sound and non-sound in 3-D space is shockingly distinct now. There isn't any blurring or guessing where the sound comes from, it's very clear and exact where each note of music is issued in 3-D space…The result is a change more significant than any power cable, interconnect or even equipment change I have ever made." – F.L. Kin

If you want truly great performance from your music or home theater system, then you should know that what you place your components on makes the difference between good results and great results. Today's electronic equipment is more and more sensitive to the distortions that come from an unexpected source – mechanical vibration. Even subtle vibration will affect the quality of what you hear and what you see, and the better your components, the more important vibration control becomes.

Protected by 2 new U.S. patents, the Isis Rack fulfills the goals which any equipment rack should strive for - acoustic neutrality, simplicity of design, excellent energy drainage and dissipation, isolation from floor borne vibration, and an optimal mechanical ground path.

The design goal of the "perfect" equipment rack has been addressed by the Isis Rack in a modular solution that offers the convenience of being expandable at any time to accommodate additional components.

"Although the system sounded very impressive without the Isis, the complete system now took on further dimensions, significantly more expansive, dramatic space/time improvements, better inner detail, better focus, better bass, but more than anything, a wide open sound that seemed to have been freed from confinement." – Ernie Fisher, The Inner Ear Report, Vol. 15