Grieg’s popular warhorse gets the stirring, lyrical treatment it deserves from a much-energized Fiedler. The sound is full, detailed and HUGE, a fitting tapestry for Fiedler’s driving and playful interpretation. Check out the dynamic range of the first suite (which features “Morning” and “In the Hall of the Mountain King”): You will be hard-pressed to find a better showcase for the power and transient response of any high-end analog playback system. Though there are many popular versions of Grieg’s masterwork, this is the most transcendent performance ever caught on tape.
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1.
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Peer Gynt, Suite No. 1, Op. 46
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2.
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Peer Gynt, Suite No. 2, Op. 55 (Part One)
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3.
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Peer Gynt, Suite No. 2 (Part Two)
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4.
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Lyric Suite, Op. 54
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