Cowboy Junkies - The Trinity Session


Label:

Analogue Productions

Genre:

Pop/Rock

Product No.:
AAPP 072
Availability:
In Stock
Category:

200 Gram Vinyl Record


No. of Discs: 2
Note: 33 1/3 RPM

200 Gram LP  

$55.00

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Also available on:
Hybrid Stereo SACD




Recorded originally at 44.1kHz/16-bit

Remastered by original recording engineer Peter Moore, and Cowboy Junkies

Lacquers cut by Ryan K. Smith at Sterling Sound

Expanded gatefold edition with additional photos, new cover design as the musicians/artist intended

New liner notes written by author and music editor Jason Schneider

Stoughton Printing old-style tip-on gatefold jacket

Plated and pressed on 200g vinyl at Quality Record Pressings

Read about the making of this spectacular album in Tom Doyle's October 2015 article for Sound On Sound magazine here.

"Regardless, sonics are first-rate, as is Analogue Productions' knockout reissue. The sound is exceptionally ambient and airy, with a remarkable sense of depth and a seemingly endless stage. Instruments are creamy-rich in texture, as is Timmins' come-hither vocal style. If you love Trinity Sessions, you'll want this edition." — Wayne Garcia, The Absolute Sound, February 2017

Cowboy Junkies recorded this spectacular LP as a "live" event Nov. 27, 1987 at the Church of the Holy Trinity in Toronto. It was recorded with a digital R-Dat and using only a Calrec Ambisonic Microphone. What this means is the record sounds like the band was playing right in front of you with the perfect ambiance.

Yes, this is a digital recording. True to our company principles, Analogue Productions in almost all cases reissues recordings only where the analog master tape is available. However, there are rare exceptions that whether digitally recorded or otherwise, a recording is so outstanding it's worthy of the highest quality vinyl reissue.

Featuring the sultry voice of Margo Timmins, the precise musicianship of her brothers Peter (on drums) and Michael (on guitar), and bassist Alan Anton, The Trinity Session is a spare, evocative, countrified-rock classic. First released in late 1988, The Trinity Session was named "Album of the Year" by The Los Angeles Times and The New York Times described it as "a quiet, special record that challenges traditional music." Rolling Stone declared the album to be "as important as it its inspiring."

Today, it remains much more than a snapshot of a single day's work captured on tape. So for this deluxe Analogue Productions reissue, we pulled out all the stops. Starting with new mastering from the original session digital tapes by the original recording engineer, Peter Moore. And lacquer cutting by Ryan K. Smith at Sterling Sound. The church where the album was recorded was selected on the basis of work Moore had done there with other jazz and classical artists. Using a single Calrec Ambisonic microphone, the results are stunning.

Next, we kicked up the packaging and content several notches. You're holding a heavyweight old-style tip-on Stoughton Printing jacket, and it has brand-new liner notes by author and music editor Jason Schneider. Schneider is the author of Whispering Pines: the Northern Roots of American Music from Hank Snow to The Band. He's also the roots music editor at Exclaim! and his work has been published in Paste, The Word, The Toronto Star and other publications. The liner notes share space with additional recording session photos, inside and on the back cover. Additionally, the cover has been redesigned to remove the lettering and photo distortion originally applied and make it appear as the musicians/artist originally intended. Lastly, this sonic treasure has been pressed on 200g vinyl at Quality Record Pressings, maker of the world's finest LPs, with stampers plated by master plating technician Gary Salstrom.

The inspired reworking of both "Blue Moon" and "Working On A Building" reveal the Timmins family to be talented interpreters and insightful neo-traditionalists. Mixing the ambitious songwriting of Margo and Michael Timmins with subdued covers of Lou Reed's "Sweet Jane" and Hank Williams' "I'm So Lonesome I Could Cry," The Trinity Session is an exquisite collection that holds up quite well under repeated listenings.

"The main appeal of The Trinity Session, the Cowboy Junkies' second album, remains its lo-fi sound. The ambient buzz of Toronto's Church of the Holy Trinity, where the Junkies recorded the album around one microphone, colors every song, reinforcing the live setting and generating vinyl intimacy even on CD. It's as if the church itself was an instrument, one that Junkies could play pretty well. It allows Margo Timmins' voice to fill your field of vision, simultaneously soothing and unsettling, while her brother Michael's guitar rumbles through the songs, a little louder and sharper than anticipated." — Pitchfork

 

 



Side 1
Mining For Gold
Misguided Angel
Blue Moon Revisited (Song for Elvis)

Side 2
I Don't Get It
I'm So Lonesome I Could Cry
To Love is to Bury

Side 3
200 More Miles
Dreaming My Dreams With You
Working on a Building

Side 4
Sweet Jane
Postcard Blues
Walking After Midnight

Customer Reviews (5.00 Stars) 7 person(s) rated this product.

Agree

posted on 02/25/2017
5 Stars
Reviewer: Rick
with the reviews above. I own an original pressing of this album and the AP release is far superior in all ways. A worthy investment.


Best vinyl re-issue...ever?

posted on 12/10/2016
5 Stars
Reviewer: Audio flea
If you are a Junkies fan, this is sonic nirvana. I'm trying to think of a reason why this isn't the best sounding piece of vinyl in my collection. I've got nothin.

The sound is omnipresent. 3-dimensional imagery. Haunting Echoes off the church ceiling. Close your eyes and you are there. Whoa!


awesome

posted on 11/15/2016
5 Stars
Grew up with this album and this version is like hearing it for the first time. Terrific sonics and life to this unique album.


Haunting

posted on 11/12/2016
5 Stars
Those who feel pressing a digital recording on vinyl misses the point should hear this for themselves. The music here sounds very alive and present, better than many AAA recordings.


44.1?

posted on 10/31/2016
5 Stars
Reviewer: Reed
Oh my. There is so much missing from the CD, compared to this vinyl version. I was expecting this to be good, but not this good. There is so much more texture to everything in this recording.


AMAZING!!

posted on 10/28/2016
5 Stars
Reviewer: ColdWaxMN
I never really write reviews very often but felt I had to say something about this great reissue! I have a US og pressing that I felt could sound better but never wanted to pull the trigger on now very expensive the classic records reissue that came out a few years back. I'm glad I waited because this sounds AMAZING!! Could not be more pleased! Thank you so much for doing such a great job with such an important album!!!


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