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Bill Evans Trio - Moon Beams

Bill Evans Trio - Moon Beams

Analogue Productions

Jazz


Hybrid Stereo SACD  

$25.00
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Also available on:
45 RPM Vinyl Record
SHM Single Layer SACDs
Japanese

Vinyl Record
180 Gram Vinyl Record
CD

  

Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular. Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels's power and empathy. "Polka Dots and Moonbeams," "If You Could See Me Now," and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain."

Originally released in 1962.

Bill Evans, piano
Chuck Israels, bass
Paul Motian, drums

1.   Re: Person I Knew
2.   Polka Dots And Moonbeams
3.   I Fall In Love Too Easily
4.   Stairway To The Stars
5.   If You Could See Me Know
6.   It Might As Well Be Spring
7.   In Love In Vain
8.   Very Early
Customer Reviews (5.00 Stars) 3 person(s) rated this product.

Incredible!

posted on 08/30/2006
5 Stars
Reviewer: Michael
I don't own an SACD player so I can't comment on the SACD layer, but the "redbook" CD layer is phenomenal! Compared to the OJC CD, the sonic difference simply has to be heard to be believed. Doug Sax may be Steve Hoffman's equal! :)

Based on this disc, I just placed an order for the AP hybrid SACD of Chet Baker's "Chet" and "Art Pepper Meets the Rhythm Section." I can't wait to hear them. Kudos to Acoustic Sounds/AP for bringing such great music to market.


Outstanding album, a bit hissy

posted on 12/09/2005
5 Stars
Reviewer: Chris P.
This disc – my introduction to Bill Evans – is sublime: tight playing, never dull, yet never, ever overstated. The SACD mastering makes one feel as through they are listening directly to the original masters… but no better. The hiss on the recording reminds us of the 40 years between the sessions and this release; it has a substantially higher noise floor than SACDs of modern recordings. You will likely find that you get past that problem quickly, right about when the full trio enters in the first track. Bliss!

Like Vince Guaraldi? Give this a spin!


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