Rhiannon Giddens - Tomorrow Is My Turn


Label:

Nonesuch

Genre:

Folk

Product No.:
ANON 541708
UPC: 075597954289
Availability:
In Stock
Category:

Vinyl Record & CD


No. of Discs: 2
Note: 140 Gram - CD may or may not be included and packaging may change as stock from manufacturer varies.

$22.98

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Also available on:
Vinyl LP with Damaged Cover




Giddens' solo debut, her follow-up to Lost On The River: The New Basement Tapes

Produced by T. Bone Burnett

Album CD included

Rhiannon Giddens makes her solo recording debut with Tomorrow Is My Turn. The album, produced by T Bone Burnett, features a broad range of songs from genres as diverse as gospel, jazz, blues, and country, including works made famous by Dolly Parton, Patsy Cline, Odetta, and Nina Simon.

Burnett first worked with Giddens when she performed last fall at a concert he curated at New York City's Town Hall that was later broadcast on Showtime: "Another Day, Another Time: Celebrating the Music of 'Inside Llewyn Davis.'" Backstage, Burnett was immediately moved to ask if he could produce a record with her. "It was clear the first time I heard her at rehearsal that Rhiannon is next in a long line of singers that include Marian Anderson, Odetta, Mahalia Jackson, Rosetta Tharpe," Burnett says. "We need that person in our culture."

Tomorrow Is My Turn was recorded in Los Angeles and Nashville, with a multi-generational group of players whom Burnett assembled. Among them are fiddle player Gabe Witcher and double bassist Paul Kowert of label-mates Punch Brothers; percussionist Jack Ashford of Motown's renowned Funk Brothers; drummer Jay Bellerose; guitarist Colin Linden; legendary backup singer Tata Vega; veteran Nashville session bassist Dennis Crouch; and Giddens' Drops touring band-mates, multi-instrumentalist Hubby Jenkins and beat-boxer Adam Matta.

Tomorrow Is My Turn follows Giddens' work with Elvis Costello, Taylor Goldsmith, Jim James, and Marcus Mumford on Lost On The River: The New Basement Tapes, an album also produced by Burnett that was released in November 2014. Her contribution was hailed by Rolling Stone magazine as the "showstopper...evoking antebellum blues with a magnificent voice that interrogates the myths stirred up at Big Pink." The New York Times agreed, saying "On lead vocals she's the album's revelation, singing melodies that hark back to Celtic modes with a decisive presence and a haunting grace."

 

 



Side 1
1. Last Kind Words
2. Don’t Let It Trouble Your Mind
3. Waterboy
4. She’s Got You
5. Up Above My Head
6. Tomorrow Is My Turn

Side 2
7. Black Is The Color
8. Round About The Mountain
9. Shake Sugaree
10. O Love Is Teasin’
11. Angel City

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